Downton Shabby

Brandy Schillace’s debut mystery The Framed Women of Ardmore House is a classic fish-out-of-water crime novel.  Jo Jones may have a drab name but she’s a fascinating woman: autistic, divorced, broke, an editor who loves mysteries and classic literature, and the surprised inheritor of an English country mansion.

It’s not remotely a show place. The once-magnificent gardens are dilapidated and the house is a wreck: there’s a major roof leak, filth, mold, and water damage throughout, and it’s all overseen by a creepy caretaker who has boundary issues. 

Not surprisingly, he’s soon dead with Jo as the prime suspect because they’ve argued and she had him fired. As you might expect from an author who’s been a professor of Gothic Literature, the lights often go out in this book and there’s a mysterious portrait that Jo finds hanging in the wrong place before it disappears completely. The hunt is on!  Who was the woman, who stole the portrait and why? That’s Jo’s mission while the police zero in on her  as the murderer because of her barbed interactions with the caretaker.

Schillace has skillfully made Jo’s autism turn her into a suspect because her behavior is awkward to say the least. She seems to those around her either strangely detached and unemotional when you’d expect the opposite–but she can also flare up and panic. She can ramble and is frequently inappropriate in her questions and answers. As a stranger who is truly strange in the eyes of almost everyone in town, Jo is a magnet for suspicion. 

But Jo has a keen memory that makes her a terrific amateur sleuth even if she sometimes has trouble reading people. Conversely, she can see connections that other people can’t and can make those connections faster. 

Book lovers of all kinds will relate to her because she lives in books, noting “Always, I love words. The way they look and feel and smell. It’s hard to explain. Words have just always been my people. And I don’t forget them after I read them.”

This is a charming mystery with bite and filled with wonderful observations. Like these about the stodgy detective investigating the murder: 

He did not want to be in the incident room on a Saturday. He wanted to go for a walk with the dog he didn’t have (but kept meaning to get) and have a pint somewhere with real food and the general hum of humans.  Murders were damned inconvenient.

That parenthesis is delicious and so is that last line worthy of P.G. Wodehouse, though I suppose he would have used “dashed.”

With plenty of suspects, the book is a fine blend of darkness and light and will make an entertaining weekend read wherever you are.  ★★★★★

Lev Raphael has reviewed books for The Detroit Free Press, The Washington Post, Jerusalem Report and several NPR stations in Michigan. His suspense novel Assault With a Deadly Lie was a Midwest Book Award finalist.

Marie Kondo Doesn’t Understand Book Lovers!

Marie Kondo is all the rage when it comes to de-cluttering, but her advice to cull your books by only keeping the ones that “bring you joy” reveals that she doesn’t understand all the different meanings that books can have for their owners.

I’ve kept books that I read years ago in college not just because I might re-read them, but because they remind me of classes, teachers, and even fellow students.  They’re part of my history.  Some of them helped inspire me to become a writer.

Other books relate to my professional life. I have a whole book case of review copies of books I reviewed for The Detroit Free Press, The Washington Post, and other newspapers as well as on various public radio shows. I might re-read some. I might not. What matters is that those seven packed shelves, carefully alphabetized, are a window opening to my life as a reviewer.  They remind me of the editors I worked with, the deadlines I met, and the way I learned to write and revise with tight deadlines.

Then there are the books in my den which track my reading interests over the years: The Tudors, Shakespeare, Ancient Rome, The Middle East. Few of them spark joy, but they leave me with a sense of contentment and there’s always a chance I might re-read one or more. They’re certainly useful resources if I need them for some project.  They, too, are part of my history.  Likewise, as a writer of memoir, I’m not planning on emptying my revolving bookcase of memoirs because I may want to consult them at some point, and many of them inspired me in my own memoir writing.  There presence is encouraging, supportive, invaluable.

The several thousand books in my study are more varied and go deeper: biographies; Judaica; drama; poetry; American fiction, British Fiction, French, German, and Russian fiction; books about France and the French language; Psychology; The Gilded Age.  And then there are twelves shelves of books by and about Henry James and Edith Wharton, two of my favorite authors.

I also have multiple copies of a number of novels because I wrote notes in my books and when I want to re-read one that’s heavily annotated, I start over.  Likewise, there are books that contain notes I made about a book or story I was working on while reading them.  Get rid of them?  That’s almost as silly as her advice to tear out the pages that give you joy and pitch the rest.

That’s not de-cluttering, that’s vandalism.

Lev Raphael is the author of 26 books in genres from memoir to mystery.  His forthcoming academic mystery is State University of Murder.  He teaches creative writing workshops online at writewithoutborders.com.